High-headroom mic preamps with RF rejection. 20 channels (16 mic/line mono, and 2 stereo line channels). 32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander. External and internal EFX sends. EFX to Monitor control. 9-band stereo graphic equalizer. Inserts on all mic channels and main mix. True 4-bus design with direct sub outs and L/R assign. 2 Pre/Post Aux sends and internal/external FX level sends on each channel. 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels. 4-band EQ on stereo line channels. Pan, Mute, PFL solo on each channel. Inserts and 100Hz low-cut filters on all mic/line channels. Subwoofer output from built-in 18dB/oct. 75Hz crossover. Ingenious BREAK switch. Headphone output with level control. Tape/CD inputs with level control assignable to Main Mix via Break switch. Logarithmic taper 60mm faders. 48V phantom power. 12V BNC lamp jack.

Reference class 4-channel expander/gate/compressor/peak limiter with dynamic enhancer and low contour filter, balanced In- and Outputs with 1/4” jacks and XLR connectors.

MG166CX, 8 mono mic/line inputs (XLR/jack), 2 mic/line inputs (XLR/stereo jack), 2 stereo line inputs (jack), 3 aux sends, 8 inserts, 3-band EQ with parametric mids, internal compressor on each mic channel, SPX FX processor with 16 programmes, 18dB high pass filter, high-end mic preamps, +48v phantom power.

The DSP8024 features a 31-band graphic EQ with a real-time analyzer and an Auto-Q function for automatic room measurement and correction plus three bands of parametric equalization. Further highlights include a peak limiter, an adjustable delay of up to 2.5 seconds, a noise gate and BEHRINGER’s renowned Feedback Destroyer.

Yamaha MSR 400, 12” (LF), 1” (HF), 400watts, XLR/jack input, XLR output, 2 way EQ (bass-high), frequency response: 50Hz-20kHz, 121dB SPL, 90° x 40° dispersion. Dimensions: 40.6 × 65.2 × 35.1cm. Weight: 23Kg.

containing BD-200 bass drum mic (cardioid: 40Hz – 18 kHz), 4x CD55 dynamic snare/tom mic (cardioid: 80Hz-18kHz), with special rim
mounts, Incl. transport case.

The Box Pro Achat 112 Sub, 350W, 124dB Max, 40-250Hz, XLR/jack combi input, XLR out, M20 pole mount. Dimensions: 450 × 456 × 370mm. Weight: 22kg, optional matching cover 240354

A “bump-box”, S-Convert is a problem solver for interfacing and level matching consumer and professional audio equipment.
Features: +4 to -10 audio level converters RCA -10 inputs with level control, RCA -10 outputs XLR +4 outputs XLR +4 inputs with level control.
18 Volt AC adapter included (reqd.).
Tech Sheet

Millenium DI-33, (battery or phantom powered), XLR/jack input, jack link output, -20dB pad, XLR output, ground lift, solid metal housing.

the box MA120 mkII, 120W (RMS @ 4 Ohm), cone high driver, 80Hz-16KHz +/-3dB, max SPL 120dB peak. 1 line input, 1 mic input, 3-band EQ, level control with clip LED, XLR line output, SPK output for additional 8 Ohm passive monitor (4 Ohm load with both speakers connected). Dimensions: 361 × 560 × 369 mm Weight: 23,0 kg. Wooden cabinet with carpet covering

Shure SM58 S, classic vocal microphone, frequency range 50hz-15 khz, output impedence 300 ohm, weight 288 g, Includes clamp & bag. Reliability and quality from Shure Microphones.

Shure PG58-XLR, cardioid polar pattern, frequency response: 60Hz-15kHz.

Shure C607

the t.bone TW 16HT 16-channel UHF 9.5” diversity-receiver, handheld microphone, 16 switchable frequencies (863.125MHz-864.875MHz), up to 3 parallel systems, switchable squelch, XLR and jack output, external power supply (DC 12V/500mW), DC out for recharging transmitter.